The Guardian was none too easy on Cee-Lo earlier this week. Perhaps he's becoming the 21st century bluesman we imagine him becoming; perhaps not. When we saw Lightnin' Hopkins in the 70s, the miracle of his set was diminished neither by its shortness, nor how limited his singling and playing range had become after a life of being a 20th century bluesman. The miracle was that he was there at all. Sunday, April 3, 2011
What We're Reading
The Guardian was none too easy on Cee-Lo earlier this week. Perhaps he's becoming the 21st century bluesman we imagine him becoming; perhaps not. When we saw Lightnin' Hopkins in the 70s, the miracle of his set was diminished neither by its shortness, nor how limited his singling and playing range had become after a life of being a 20th century bluesman. The miracle was that he was there at all. Sunday, March 6, 2011
Worth Recording

As out-of-town rappers often do in New York, Mr. Ross turned his concert into a reunion, welcoming numerous guests. There was a brief, charged opening set by Pusha T of Clipse, now a solo artist on Mr. West’s G.O.O.D. Music imprint. During Mr. Ross’s set he was joined by a winning John Legend on “Magnificent,” and later, by Busta Rhymes and Akon, who made quick appearances. A fellow Miami rapper, Ace Hood, emerged for his new hit, “Hustle Hard,” the remix of which features Mr. Ross.
There was one song each from Wale (“No Hands”) and a fiery Meek Mill (“I’m a Boss”), new members of Mr. Ross’s Maybach Music Group imprint, which just signed with Warner Brothers. (No appearance by Pill, though, the best of the new affiliates.) Later came an appearance by Torch, from Mr. Ross’s group Triple C’s, on “Reala-State,” but sadly, no Gunplay, who has released a pair of impressive solo mixtapes in recent months, “Don Logan” and “Inglorious Bastard.”